This movie is based on a book for young people by Lois Lowry that sold over 10 million copies, so the story has huge appeal.<\/p>\n
Prolife commentators note its dystopian world is a controlled one, with infanticide and euthanasia and the euphemism of \u201crelease to elsewhere\u201d for executing troublemakers. But consistent-lifers notice another theme: the reason for the colorless controlled world was revulsion against war, a graphic revulsion that the rebellious hero shares.<\/p>\n
![\"\"](\"http:\/\/consistent-life.org\/blog\/wp-content\/uploads\/2017\/01\/blog-giver.jpg\")
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But he\u2019s startled to realize his world hasn\u2019t abolished murder; only given it another name. People are committing murder without realizing this is what they\u2019re doing, because their deep emotions are blocked, love is regarded as imprecise and problematic, and they\u2019ve lost memories. The Hollywood ending restores their memories and emotions and the gentle execution stops right away; the stopping of ongoing infanticide and euthanasia as well is implied.<\/p>\n
Doesn’t this\u00a0fit the world the oncoming generation has grown up in? Their parental and grandparental generations were full of people active against the American war in Vietnam, but with the left-wing\/right-wing dynamic also insisted on abortion as a \u201cright\u201d with infanticide possible on the reasoning\u2019s slippery slope. Working against one kind of killing and then promoting another, these were people who rebelled against war but then forgot what murder is.<\/p>\n
The ending where the characters are reminded what murder is would make this a therapeutic story for young people, helping to account for its popularity.<\/p>\n
The Whistleblower<\/em>, 2010<\/strong><\/p>\n The connection of war to sex trafficking, while not stated explicitly, is portrayed so obviously that it serves as public education about how this effect of war works in real life.<\/p>\n Abortion is not portrayed at all, but watching the vicious behavior of the traffickers who \u201cown\u201d the women leaves no doubt that if any of them get pregnant from the activities they\u2019re forced to do, the traffickers would think nothing of forcing abortions to make the women re-usable.<\/p>\n This movie helps in understanding one of the vicious connections between war and abortion: war causes sexual slavery and that causes forced abortions. All three practices are intolerable each by themselves, but here we see once again how violence is connected to more violence.<\/p>\n Ides of March<\/em>, 2011<\/strong><\/p>\n This Hollywood movie is a biting satire on hypocrisy in presidential campaigns; the discerning viewer can see the road to lethal results when the candidate gets power.<\/p>\n With the candidate being the father, it could be foreseen the baby would be doomed unless the mother rebels. In this case, after the abortion she commits suicide, which becomes an occasion for yet more power games.<\/p>\n Despite the movie featuring many actors and real-life pundits known to take the \u201cpro-choice\u201d position, the dynamics of abortion as violence connected to a sea of violence are clearly portrayed.<\/p>\n ====================================================<\/strong><\/p>\n <\/p>\n For a short list of movies intentionally about nonviolence, see a past holiday issue <\/span><\/a>of our weekly updates, Peace & Life Connections<\/span><\/em><\/a>. Our Advisory Board member John Whitehead has written an article on movies with anti-war themes in\u00a0Peacemaking for Life<\/a>.<\/p>\n Other movies covered in our blog posts:<\/p>\n The Darkest Hour<\/em>: “Glorifying” War?<\/a><\/p>\n Movies with Racism Themes: Gosnell<\/em> and The Hate U Give<\/em><\/a><\/p>\n Hollywood Movie Insights II<\/a>\u00a0(Never Look Away<\/em>,\u00a0The Report<\/em>, and\u00a0Dark Waters<\/em>)<\/p>\n <\/p>\n Anyone who wants to offer a movie or book review from a consistent-life viewpoint for us to consider for publishing, here are the guidelines<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":" Now that the Golden Globes have passed and the Oscars are coming up, we\u2019ll comment on past Hollywood movies from a consistent-life point of view. The Giver, 2014 This movie is based on a book for young people by Lois Lowry that sold over 10 million copies, so the story has huge appeal. Prolife commentators… <\/p>\n![\"\"](\"http:\/\/consistent-life.org\/blog\/wp-content\/uploads\/2017\/01\/blog-whistleblower.jpg\")
<\/strong>This is not a movie to see for entertainment. The graphic images are truly disturbing, because this is based on the true story of sexual trafficking in post-war Bosnia. Rachel Weisz (pictured) plays the title character, investigating the corruption and shocking brutality of this modern-day slavery.<\/p>\n![\"\"](\"http:\/\/consistent-life.org\/blog\/wp-content\/uploads\/2017\/01\/blog-ides.jpg\")
Here direct lethal results come earlier, during the candidacy: in the presence of the normal \u201cwomen\u2019s-right-to-choose\u201d rhetoric, in painful contrast to that rhetoric, powerful men manipulate a young woman into pregnancy and then abortion. Pictured is a scene in which\u00a0a campaign staffer insists on abortion as a cover-up and drives the mother to the clinic. In his view, she has no say.<\/p>\n